The African Art Centre is pleased to host the Velobala Class of 2016 Group exhibition showcasing
charcoal, pencil, oil pastel, chalk pastel drawings, paintings and jewellery.
The Velobala Programme is an African Art Centre Development Project that offers formal art classes to
young talented black artists who do not have the financial means to enroll for tertiary-level art training.
Initiated in 1994, this African Art Centre programme is an ongoing commitment to facilitate exploration of
different mediums for young talented artists, including ceramics, drawing, painting, jewellery and
printmaking. This project is supported by the Durban University of Technology’s Department of Fine Art
and Jewellery Design.
Over a period of 10 months the 2016 Velobala Programme saw the development of 28 aspiring artists.
Major Ndlovu, a second year student of the programme, said this: “The Velobala programme meant a lot
to me, it introduced me to the art industry and helped me to build a solid foundation. What I like most
about the programme is that you attend as much as you can, their classes are unlimited. They provide
upcoming artists enough time to shape and showcase their talent. Once you participate in the Velobala
programme you become part of the African Art Centre family.” Works produced by Major Ndlovu will
form part of the Velobala 2016 exhibition.
The Velobala 2016 exhibition at the African Art Centre will be opened from Thursday 9 February.
The Centre would like to thank the Artists for Human Rights Trust, Mr Price Home and the Durban
University of Technology Fine Arts and Jewellery Department for partnering with the African Art Centre
on this programme. The exhibition is supported by the National Arts Council of South Africa.
For more details contact the African Art Centre on 031 3034634 or email firstname.lastname@example.org
About the African Art Centre:
The African Art Centre is a fine art and crafts centre with a gallery and a retail outlet. Our core work
focusses on artist development, showcase and growing the creative economy.
The African Art Centre was initiated in 1959 by the Natal Region of the South African Institute for Race
Role of the African Art Centre during the Apartheid Era:
• Medium of communication in a divided society
• Worked towards bringing people with common interests together
• Public showcase of African artists and crafters
In 1984, the African Art Centre was registered as a non profit section 21 company
AAC Recognizes and addresses:
• The problems of unemployment
• The socio-economic consequences of South Africa’s history
• The need for all people to have the opportunity to work and earn a living
• The intrinsic value of human dignity achieved through being able to work
• The need to kindle and stimulate self-motivation through acquired skills
• The need for personal gain and development to be linked as directly possible to personal effort -
self-sustaining and economically
Creating an enabling environment for the sustainable development, promotion and preservation of
African arts and crafts with special focus on KwaZulu-Natal.
• To provide a platform for training and development
• To provide an outlet for promoting and selling works done by KZN artists and crafters
• To create jobs and a sustainable income for KZN artists and crafters
• To provide a professional space for young and established artists and crafters to exhibit
• To discover, encourage and nurture works of creativity, originality and the highest quality
• To communicate and document traditional and contemporary trends in local arts and crafts
• To preserve our cultural heritage